It has become increasingly difficult for up-and-coming architects and designers to get their first big break. Rather than go it alone and propagate the outdated image of the single self-efficient genius, many are joining forces to realize their first projects. Multidisciplinary designers Lindsay Giambattista Cox and Chris Cox—as well as several other vested creative partners—joined forces with architect Matt Moffitt, principal of Studio Bardo, to establish Parcel. Situated in Michigan’s burgeoning Leelanau Peninsula region, the reimagined 7-acre retreat is very much the sum of its parts, the result of pooled creative insights and resources.

“Everyone was involved in everything from the staking to the choice of coat hooks,” Giambattista Cox told AN Interior. Through its combined efforts, the collective reimagined how a hospitality business could be run and how corresponding spaces might be designed. Rather than opting for the standard antiseptic motel or lodge, they developed a destination that is as much site responsive as it is reflective of their personal styles.

For all involved, it was a first chance to flex their muscles and test out what’s possible. “We really didn’t know much about building or carrying out the design process from start to finish,” said Cox. “The idea of utilizing this first endeavor as a prototype emerged over time, not just in terms of the actual architecture and interior outfit but the parameters in which collaboration can be achieved effectively. We collected data and took copious notes as things evolved.” There were challenges in aligning on the design among the group, but they ultimately reached consensus. Because of Parcel’s remote location—the closest airport is in Traverse City, a 30-minute drive from the property—it took six months to find the right contractor to see the vision through. “We, of course, had to make some concessions and adjustments along the way,” said Moffitt.

What began as the construction of a single cabin turned into a more elaborate complex with two sizable dwellings, a patio, outdoor kitchen, and sauna. (Both exterior environments are cleverly delimited with concrete blocks.) There’s room for even more accommodations and amenities to be added over time. The two Douglas fir–clad, saltbox structures evoke the materiality and proportioning of the sugar maples, birch trees, and young pines that envelop the secluded locale and are tall enough to make the most of unobstructed waterfront views.

“The landscape itself and the way it evolves over the seasons inspired the placement of the two cabins,” said Moffitt. “The orientation was incredibly important. The idea was that the buildings could be close enough that one could be within shouting distance of their neighbors but also have privacy.” While the L-shaped Meadow Cabin was sited on a found clearing without harming the surrounding wildflower pasture, the Forest Cabin tucks away into a more densely wooded portion of the site. “The north-facing ribbon window in the second structure frames the forest floor like a theater for the artists—who might be in residence—to observe,” Moffitt explained. The two separate abodes are fully rentable, and there are plans to develop additional programs such as creative retreats.

Headed up by Giambattista Cox, the interiors were deftly finished and furnished in a dynamic interplay of locally sourced items and others from internationally recognized brands. While maple plywood cabinetry anchors colorful 100 percent recyclable countertops, the open-plan layouts feature lofts with perfectly nested beds—purveyed by small California producer Depart Studio. Its founders, Daniel Primero and Kyle Bautista, were so enamored with the collaborative nature of the project that they delivered the beds in person and stayed for a while. Large clerestory windows ensure that guests feel as though they’re waking up amid the trees.

Custom tables designed by Moffitt and fabricated by emerging Detroit practice Black Helmut fit in well with vintage Eames chairs, also historically produced in Michigan. Vivid but not overpowering tones appear in pendant lamps from Swedish brand Hem and artwork by local talents Jeff Kraus and Poppy DeltaDawn. The equally chromatic rugs are by Spencer Malinski. “Each piece in the interiors is less about palette or cohesion and more about meaning and connection to place,” explained Giambattista Cox, who also custom designed and crafted quilts for both cabins.